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Art Placement: What Works 3

In this video I examine what domestic and commercial environments work for some of my fairly unique and 'demanding' artworks. This is one in a series of videos examining different aspects of art placement (see below).

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Art Placement: What Works 2

In this video I examine what works - and what doesn't - when it comes to situating art in demanding environments - both domestic and commercial. This is one in a series of videos examining different aspects of art placement with more to come!

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The Making of Inside the Grotto

This short video details the processes involved in the creation of the acrylic painting on stretched canvas entitled 'Inside the Grotto'. This is one of a series of 'The Making of ..' videos (see below for more).

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Art Placement: What Works 1

In this video I examine what works - and what doesn't - when it comes to situating art to good effect using the ArtPlacer App. This is one in a series of videos examining different aspects of art placement with more to come!

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Video: The Making of the Monochrome Art Used in the Greeting Cards

In this video I share the various processes of creating the black and white artwork used in the monochrome greeting cards available in the Store. Packs of five cards are available in variety or floral options. Packs of five prints are also available in Print Pack 1 (square, various), Print Pack 2 (square, various) and Print Pack 3 (landscape-oriented, various) options. The original, framed artwork is also available to buy in the Gallery under the Monochrome Art option.

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The Making of Harvest

With my 'A Sense of Place' exhibition at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) now in process, join me as I create the acrylic/collage 'Harvest' on a 60 x 80 cm stretched canvas as a reserve item for the exhibition.

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Virtual A Sense of Place Exhibition

Come and visit a virtual version of the A Sense of Place Art Exhibition being held in an airy New York art gallery! Use the navigation buttons or your keyboard to wander around this space. A PDF catalogue is also available - or you can visit the flip book version.

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The Making of Summer

With just one week to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) join me as I create the reserve collage 'Summer' on a 60 x 80 cm stretched canvas for the exhibition.

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The Making of Silver Birch Forest

With just 2 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) I wanted to share this video detailing The Making of Silver Birch Forest - a fairly large collage I made for the exhibition.

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The Making of Full Moon

With just 3 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) watch the process as I show how the acrylic painting 'Full Moon' (specially created for the exhibition) came to be.

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The Making of Entangled

With just 4 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) join me as I show how the acrylic painting 'Entangled' was created for the exhibition.

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The Making of Jurassic Coast

With 5 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November), I share the creation of the collage Jurassic Coast on a 50 x 25 cm (20 x 10 inch) stretched canvas for the exhibition. For those that don’t know the Jurassic Coast is a World Heritage Site which covers 160 km (100 miles) of the coastline of southern England. It stretches from Devon to Dorset, and has yielded a wealth of fossil evidence being the only place on Earth where rocks from the Triassic, Jurassic and Cretaceous Periods can be seen in one place.

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The Making of Centrepiece

With 6 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) join me as I create the still life collage 'Centrepiece' on a 60 x 80 cm stretched canvas for the exhibition.

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The Making of Barn Owl

With 7 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) watch along as I create the collage ‘Barn Owl’ on a 60 x 80 cm stretched canvas for the exhibition.

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The Making of Scattered Sprigs

With 8 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) join me as I create the acrylic painting 'Scattered Sprigs' on a 60 x 80 cm stretched canvas.

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The Making of Westward Ho

With 9 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) I wanted to share this video detailing the Making of Westward Ho - a heavily textured mixed media fairly large artpiece I made for the exhibition.

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The Making of Mr Fox

With 10 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) watch along as I create the collage ‘Mr Fox’ for the exhibition.

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The Making of Sunlight on Water

With 11 weeks to go to my 'A Sense of Place' exhibition to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England (25 September – 3 November) I thought I would share the video ’The Making of Sunlight on Water’ which is an abstract acrylic painting on a 80 x 60 cm stretched canvas created for the exhibition.

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The Making of The Green Vase

I have an exhibition entitled 'A Sense of Place' coming up in 12 weeks to be held at Tetbury Goods Shed, Tetbury, Gloucestershire, England opening on the 25th of September for 6 weeks until the 3rd of November, 2024. I have been creating new artworks for this exhibition for months and plan to share a 'The Making of ..' video each week for the next 12 weeks to let you see what I've been up to. So i thought I would start the series with 'The Making of The Green Vase' which is an acrylic still life painting on a 60 x 80 cm stretched canvas. I hope you enjoy!

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Advanced Notice: A Sense of Place Art Exhibition

For many months now I have been busy working away on artwork for my upcoming solo exhibition entitled ‘A Sense of Place’. The exhibition is to be held at Tetbury Goods Shed, Old Station Yard, Cirencester Rd, Tetbury, Gloucestershire, GL8 8EY from the 25th of September until the 3rd of November 2024.

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Elements of Art: Colour

In this short video from the KQED Art School Elements of Art series, colour is considered with particular reference to the Colour Field painters of the 1950s and 60s. The video also uses many examples of contemporary art to illustrate its message. 

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Introducing the Monochrome Art Gallery

Welcome to the new Monochrome Art section in the Gallery. These images are all black, white and grey and are designed to have white mounts with white or black frames and to be arranged in groups - or as a gallery wall. They look particularly effective either on dark, solid backgrounds or on white walls in my opinion. They also complement modern 'clean' interiors.

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Making Handmade Collage Papers

In this video I show how I made some textured black and white papers for collage from wet strength tissue paper and wallpaper paste in preparation for creating collage for the Monochrome Art section of my Gallery.

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Art Placement: Art & Frames

In this video, the mixed media artist, Alison Adams, uses the ArtPlacer application to investigate the impact that a variety of frames (and mounts/mats) have upon the presentation of a few pieces of her art.

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Art Placement: Art & Mounts (Mats)

In this video the mixed media artist, Alison Adams, examines the impact of various sizes and colours of mounts (mats) on a variety of artwork using the ArtPlacer application. This video forms part of a series on art presentation. See part 1: Art Placement: Art & Wall Colour video.

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Art Placement: Art & Wall Colour

In this video, I use the ArtPlacer application to demonstrate the relationship between a single piece of art and the surrounding wall colour. This is one of a series of videos examining what works, what doesn't - and why when it comes to displaying art. Other videos in this series examine the impact of mounts and frames in displaying art.

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Virtual Exhibition: Winter

It’s December 2023 and here in the UK we’ve just had the first snow after several days of heavy frosts. It’s winter, and although it always goes on for longer than I would like, it has its own bleak beauty and is atmospheric. I hope I’ve captured what winter conjures up.

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Virtual Exhibition 'Winter' Video

A short video showcasing available art (December 2023) from the mixed media and collage artist, Alison Adams, on the theme of Winter. See also the virtual exhibition and accompanying flipbook.

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Virtual Exhibition 'Autumn' Video

A short video showcasing available art (November 2023) from the mixed media and collage artist, Alison Adams, on the theme and colour palette of autumn. See also the virtual exhibition and accompanying flipbook.

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Gallery Walls

Why stop at one picture? Starting with two complementary pieces (shown here Little One and Next Chapter) up to walls entirely covered with an assortment of artwork, a gallery wall is an attractive and effective way to cover a blank wall.

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What is a Floating Frame?

Floating frames are not supplied, but you may opt to get a floating frame for stretched canvas art. They are a 'tray' into which the canvas is glued leaving a space (ie: appearing to 'float') between the frame and canvas. The frames are available in all widths and colours and you can vary the 'gap' as per your preferences too. Most online and retail frame suppliers supply floating frames.

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